Striving for liberation

I strive for: complete liberation from all forms
from all symbols
of cohesion and
of logic.
Thus:
away with 'motivic working out'.
Away with harmony as
cement or bricks of a building.
Harmony is expression 
and nothing else.
Then: 
Away with Pathos!
Away with protracted ten-ton scores, from erected or constructed
towers, rocks and other massive claptrap.
My music must be
brief
Concise! In two notes: not built, but 'expressed'!! 
And the results I wish for:
no stylized and sterile protracted emotion.
People are not like that:
it is impossible for a person to have only one sensation at a time.
One has thousands simultaneously. And these thousands can no
more readily be added than an apple and a pear.  They go
their own ways.
And this variegation, this multifariousness, this illogicality which
our senses demonstrate, the illogicality presented by their interactions,
set forth by some mounting rush of blood, by some reaction of the
senses or the nerves, this I should like to have in my music.
It should be an expression of feeling, as our feelings, which bring
us in contact with our subconscious,really are, and no false
child of feelings and "conscious logic."

-Arnold Schoenberg to Ferrucio Busoni 1909

 
 

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Conversation with creative drummer, Dave Capello

I always feel that more people should know about one of the most individual voices on drums in New Orleans.  Dave Capello is quite a unique personality and there are experiences that he clearly had that contributed on the musical level.  For a few musicians in town it's known that if you want to get a boost into the unknown with a project, and prevent the threat of staleness, then Dave is the man to call...(if you aren't afraid of the reactions of many, both musicians and audiences, who can't recognize more naked kinds of beauty in music.)


Dave Capello(dr.), Helen Gillet(cello), my Chip Wilson custom 7-string guitar(r)Part 1 up on the interviews page now.

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