Tagged with: Tim Robertson
Recently I had a new piece performed for String quintet and electric guitar. Here is a live performance of that. Sixto Franco organized the concert that it was a part of that was a salute to third stream music and crossover improvisational systems. Sixto played Viola, it also features my old friend, Tim Robertson on guitar. Look for information about him in the interviews section of the website.
Here is the piece:
-is the full title. This will be performed for the Bloomsday celebration in New Orleans. Bloomsday is the annual celebration of James Joyce’s groundbreaking masterpiece, Ulysses. The festival is now being handled by the collaborator in two of my previous operas (‘Bang the Law’, ee me and pollock thee’) , Chris Lane.
I have had the idea for a long time and finally the opportunity came up to stage the piece. Libretto and music by yours truly. All the text however is by Mr. James Joyce. The lyric is totally unexpurgated. Immoral restoration theater type directness for our tightening times…except of course- of and for the common people.
The opera is also to remember the great victory over victorian censorship of the book.
The piece will be at the church at the Hotel Peter and Paul in the Marigny neighborhood of New Orleans. There will be two performance on the 14th and two on the 16th of June.
Great artists have been assembled to work on it.
Zara Zemmels- Mezzo-Soprano
Nelson Gonzalez- Joyce
Tim Robertson- Guitar
Janna Saslaw- Flutes
David Gamble- projections and design
Joan Long- Lighting/ stage design/ performance consultant
Jonathan Freilich- composer/librettist
Chris Lane- producer and set builder.
Extremely important here is our gofundme campaign to raise the money for the production. We hope that if you support arts in New Orleans, or are a theater fan, or a literature fan, or an independent/ experimental/contemporary opera buff, or prefer that your ribald times aren’t impinged upon, or support diversity in music, or the livelihood and development of the arts in general, that you will contribute. Any amount helps greatly.
The link is here…
Zara Zemmels
Tim Robertson
David Gamble
janna saslaw
The final part is up on the interviews page. Diversify your knowledge of the New Orleans music world!
I've posted the 2nd and 3rd part of a great interview with New Orleans guitarist, Tim Robertson.
Get involved here...
Tim is an interesting figure in the New Orleans music vista. He plays Bourbon St. He is a survivor of that commercial zone and knows how to do it (or has the personality for it) in a way that doesn't limit him and has driven him plain crazy. Many have been driven in such a direction.
Many people ask questions about validities and viabilities involved in music on Bourbon St. Tim, from first hand experience over lot of years, engages these questions:-
What is Bourbon St.? How does that music zone operate differently and similarly to other parts of town? What are it's musical features and modes of development? Is there anything really good out there?
There is much more, however, to Tim and to this interview. Tim is an avid experimental/modern/"classical" composer and has moved himself through in-depth, mentored, study in that direction too. For those who may wonder what the relevance of Bourbon St. and "classical" music is to New Orleans music and whether he can really talk about it, there is more. He also plays guitar with Neslort (if you don't know then be sure to go), Amanda Shaw, and two very interesting comico-satirical-serious groups that started quite a while ago and feature a very biting and immediate viewpoint voiced by Robertson: Dirty Mouth and Hot Karl.
Enjoy the interview- there is a lot here...
Also available as a free podcast through the itunes store.
The interview was conducted, 5/1/12, at the orange couch in New Orleans.