Alex Mcmurray Interview pt.2
Alex talks about Chazfestival in contrast to the New Orleans Jazz and heritage Festival, the strains of putting on a festival, general attitudes toward organizing, and the future of the Chazfestival.
This podcast will feature interviews done by Jonathan Freilich with notable figures that relate in some way to the current vibrancy of the New Orleans music scene and community. It seeks to form a dialogue between ideas and motivations behind the music and the relationship of those ideas to the sound artifact being presented. The podcast will also address what the state of understanding is in audiences and whether understanding is relevant to the "success" of the musical artwork. Older interviews and further information can be found at www.jonathanfreilich.com
Tagged with: the bywater
Alex talks about Chazfestival in contrast to the New Orleans Jazz and heritage Festival, the strains of putting on a festival, general attitudes toward organizing, and the future of the Chazfestival.
Martin Krusche- saxophonist, saxophone repairman, sailor, plasterer, leader of the magnetic ear. He played at last years Chazfestival (2009) and here he reflects on that experience, being an audience member at chazfest, the current magnetic ear, alternative festivals, sailing and music, and the bywater audiences' demand for mood variance in music depending on time and location.
Martin Krusche- saxophonist, saxophone repairman, sailor, plasterer, leader of the magnetic ear. He played at last years Chazfestival (2009) and here he reflects on that experience, being an audience member at chazfest, the current magnetic ear, alternative festivals, sailing and music, and the bywater audiences' demand for mood variance in music depending on time and location.
Martin Krusche- saxophonist, saxophone repairman, sailor, plasterer, leader of the magnetic ear. He played at last years Chazfestival (2009) and here he reflects on that experience, being an audience member at chazfest, the current magnetic ear, alternative festivals, sailing and music, and the bywater audiences' demand for mood variance in music depending on time and location.