Interview with Brian Coogan pt.1

Keyboardist, Brian Coogan, took some time for an interview on the day of the Chazfestival.  The interview is in 3 parts.

 

  1. Here he talks about sitting in with Aurora and Walt at Chazfestival, songwriting and   its relation or distinctness from jazz, being an audience at Chazfestival, and comparisons with the Jazz and Heritage Festival.
  2. Here Coogan talks about Chazfestival in relation to artistic freedom, comparisons between New Orleans and New York, musician identity, relationship of songwriting to his viewpoints, funky dance music, his new band- The Brian Coogan Band.
  3. This section deals with dance music, Brian's background, the music he came up listening to, carting around Hammond organs and their role in New Orleans music, the ironies of nostalgia and musical  anachronisms in New Orleans music, modernity in music

Brian Coogan pt.1

Part 3 of Interview with saxophonist, Martin Krusche

Martin Krusche- saxophonist, saxophone repairman, sailor, plasterer, leader of the magnetic ear.  He played at last years Chazfestival (2009) and here he reflects on that experience, being an audience member at chazfest, the current magnetic ear, alternative festivals, sailing and music, and the bywater audiences' demand for mood variance in music depending on time and location.

Martin Krusche pt. 3

Part 2 of Interview with saxophonist, Martin Krusche

Martin Krusche- saxophonist, saxophone repairman, sailor, plasterer, leader of the magnetic ear.  He played at last years Chazfestival (2009) and here he reflects on that experience, being an audience member at chazfest, the current magnetic ear, alternative festivals, sailing and music, and the bywater audiences' demand for mood variance in music depending on time and location.

Martin Krusche pt.2

Part 1 of Interview with saxophonist, Martin Krusche

Martin Krusche- saxophonist, saxophone repairman, sailor, plasterer, leader of the magnetic ear.  He played at last years Chazfestival (2009) and here he reflects on that experience, being an audience member at chazfest, the current magnetic ear, alternative festivals, sailing and music, and the bywater audiences' demand for mood variance in music depending on time and location.

Martin Krusche pt.1

Degruy interviews Jonathan Freilich pt.4

Phil is one of the most fascinating and innovative instrumentalists from New Orleans.  His creativity is not bound by the guitar- he also modifies, or maybe corrects, a lot of what falls in front of him and on him.  He even invented and plays a kind of guitar- the guitarp.  In an earlier interview, he had talked about style in his playing, his guitar influences, alternate lyrics, new orleans guitar scene history, and converses and hypothesizes about the problems of music business and herd mentality...

 

...Then the tables suddenly turned...  Phil Degruy interviewed Jonathan Freilich about times in the city, guitar, Naked On The Floor, music philosophy, music background, and composition.  He demanded the cross-examination!

 

Freilich interviewed by Phil Degruy pt. 4

Degruy interviews Jonathan Freilich pt.3

Phil is one of the most fascinating and innovative instrumentalists from New Orleans.  His creativity is not bound by the guitar- he also modifies, or maybe corrects, a lot of what falls in front of him and on him.  He even invented and plays a kind of guitar- the guitarp.  In an earlier interview, he had talked about style in his playing, his guitar influences, alternate lyrics, new orleans guitar scene history, and converses and hypothesizes about the problems of music business and herd mentality...

 

...Then the tables suddenly turned...  Phil Degruy interviewed Jonathan Freilich about times in the city, guitar, Naked On The Floor, music philosophy, music background, and composition.  He demanded the cross-examination!

Freilich interviewed by Phil Degruy pt.3

Degruy interviews Jonathan Freilich pt.2

Phil is one of the most fascinating and innovative instrumentalists from New Orleans.  His creativity is not bound by the guitar- he also modifies, or maybe corrects, a lot of what falls in front of him and on him.  He even invented and plays a kind of guitar- the guitarp.  In an earlier interview, he had talked about style in his playing, his guitar influences, alternate lyrics, new orleans guitar scene history, and converses and hypothesizes about the problems of music business and herd mentality...

 

...Then the tables suddenly turned...  Phil Degruy interviewed Jonathan Freilich about times in the city, guitar, Naked On The Floor, music philosophy, music background, and composition.  He demanded the cross-examination!

Freilich interviewed by Phil Degruy Pt.2

Degruy interviews Jonathan Freilich pt.1

Phil is one of the most fascinating and innovative instrumentalists from New Orleans.  His creativity is not bound by the guitar- he also modifies, or maybe corrects, a lot of what falls in front of him and on him.  He even invented and plays a kind of guitar- the guitarp.  In an earlier interview, he had talked about style in his playing, his guitar influences, alternate lyrics, new orleans guitar scene history, and converses and hypothesizes about the problems of music business and herd mentality...

 

...Then the tables suddenly turned...  Phil Degruy interviewed Jonathan Freilich about times in the city, guitar, Naked On The Floor, music philosophy, music background, and composition.  He demanded the cross-examination!

Freilich interviewed by Degruy pt. 1

Phil Degruy interview pt.5

Phil is one of the most fascinating and innovative instrumentalists from New Orleans.  His creativity is not bound by the guitar- he also modifies, or maybe corrects, a lot of what falls in front of him and on him.  He even invented and plays a kind of guitar- the guitarp.  In this interview, he talks about style in his playing, his guitar influences, alternate lyrics, new orleans guitar scene history, and converses and hypothesizes about the problems of music business and herd mentality.

Phil Degruy pt.5

Phil Degruy interview pt.4

Phil is one of the most fascinating and innovative instrumentalists from New Orleans.  His creativity is not bound by the guitar- he also modifies, or maybe corrects, a lot of what falls in front of him and on him.  He even invented and plays a kind of guitar- the guitarp.  In this interview, he talks about style in his playing, his guitar influences, alternate lyrics, new orleans guitar scene history, and converses and hypothesizes about the problems of music business and herd mentality.

Phil Degruy Pt.4

Phil Degruy interview pt.3

Phil is one of the most fascinating and innovative instrumentalists from New Orleans.  His creativity is not bound by the guitar- he also modifies, or maybe corrects, a lot of what falls in front of him and on him.  He even invented and plays a kind of guitar- the guitarp.  In this interview, he talks about style in his playing, his guitar influences, alternate lyrics, new orleans guitar scene history, and converses and hypothesizes about the problems of music business and herd mentality.

Phil Degruy Pt.3

Phil Degruy interview pt.2

Phil is one of the most fascinating and innovative instrumentalists from New Orleans.  His creativity is not bound by the guitar- he also modifies, or maybe corrects, a lot of what falls in front of him and on him.  He even invented and plays a kind of guitar- the guitarp.  In this interview, he talks about style in his playing, his guitar influences, alternate lyrics, new orleans guitar scene history, and converses and hypothesizes about the problems of music business and herd mentality.

Phil Degruy Pt.2

Phil Degruy interview pt. 1

Phil is one of the most fascinating and innovative instrumentalists from New Orleans.  His creativity is not bound by the guitar- he also modifies, or maybe corrects, a lot of what falls in front of him and on him.  He even invented and plays a kind of guitar- the guitarp.  In this interview, he talks about style in his playing, his guitar influences, alternate lyrics, new orleans guitar scene history, and converses and hypothesizes about the problems of music business and herd mentality.

Phil Degruy interview pt.1

Part 2 of Interview with cellist, Helen Gillet

This is an interview in 3 parts from April 2009. Helen Gillet talks about her band Wazozo, Belgian songs, oom-pah, chazfest, and nostalgia.

(N.B. there is a cutoff in the audio after about a minute and for a short time.  I apologize, that gap is unrecoverable. This recording was early in the series and there were some glitches.  nonetheless, I feel that the other info is interesting enough to warrant leaving this up.)

Pt.2 of interview with cellist, Helen Gillet