Upcoming shows around jazzfest- less spectacle, more catharsis.

It's that time of year again.  A little more going on and there is a number of interesting performances afoot from this direction.  Check these out!

Thursday April 14th- Tonight- with Blake Amos quartet at Yuki Izakaya (Frenchmen st) 8-11pm.  Blake plays many originals and classics, all heavily Brazilian inflected and it's no joke, he's heavily steeped in that- but also drenched in what was here too.  Simon Lott on drums.  Come by, you might win the Simon Lottery!

Saturday April 16th- with guitarist Carl Leblanc at Casa Borrega 7-10:30pm(Oretha Castle Haley Blvd).  Carl is one of the city's great musicians. Dirty Dozen Brass Band, Sun Ra Arkestra, but then his own thing and signature guitar sound and approach- with intelligence subtlety and rhythm.  All severely lacking much of the time these days.

Thursday April 21st- At Allways lounge 9pm with James Singleton, Scott Amendola, Rob Cambre. Always a pleasure to do new things with new people.  Rob Cambre runs a great new series at Allways and seems to be really going an interesting direction by getting groups whose internal mechanics are frequently vastly different from each other- and yet there is a great deal to feel less isolated about here.  Rob plays guitar. James Singleton, the iconic New Orleans bassist. Scott Amendola- plays with the heavies out west.  These days I often hear things described as musical.  I nod my head as if I know what they are talking about. You'll probably hear that description slung around a lot over hear.  That's because the players care about how they sound and the audience seems to like that.  It's an old story that renews every time. Uninterrupted we like the way music feels...

Friday April 22nd- with James Singleton at Zeitgeist Multi-Disciplinary Arts Center -9pm (Oretha Castle Haley Blvd). Playing James's music again. Always a great lineup, and it gets more and more interesting and sensitive.  If you missed the show here last year you get another shot now.  It is a great room.  The important sounds linger in the air a little longer.

Sunday April 24th- with The New Orleans Klezmer All Stars at The Old Arabi Bar. 10pm.  Here is one to catch if, like me, you are interested in more alternative scenarios.  Get down to further out old New Orleans neighborhood, closer than you think and see some far out music in an area far squarer than you know.  But, you can still smoke in that bar, and the egregious interruptions of neighborhoods-coming-up isn't distorting the vision.  The New Orleans Klezmer All Stars with the full lineup including Ben Ellman of Galactic, and Glenn Hartman on accordion, Joe Cabral of the Iguanas on bass.  The way we have had it for years now.

Tuesday April 26th- with The Diesel Combustion Orchestra at Open Ears Music Series 10pm- Blue Nile Upstairs (Frenchmen St.)  Dan Oestreicher, the Baritone sax player from Trombone Shorty's band has this smart outfit.  We will fix your normality good and proper, isolate it, and transport straight into an ice castle at the bottom of the Mississippi river.  You will flip.  There's electronics, heavy exotica and exploration that will cause the catharsis to get you into that life that you wish you could slip away into effortlessly.

Friday April 29th- with The New Orleans Klezmer All Stars at Casa Borrega 7-10:30pm(Oretha Castle Haley Blvd). See above.  This is dangerously close to where we really started to catch hold of the city in 1992.  The food is great and the Tequila flows like wine.  This one is going to kill!

Saturday April 30th-with The New Orleans Klezmer All Stars at The New Orleans Jazz and Heritage Festival. Join us. Our set is before Stevie Wonder so don't panic. ANd- the secret is, we are not far away from the main stage.  You will experience the newest thing- THE MEYERS. Standby for the album you have been waiting for.

Casa Borrega on all Saturdays in May too! Come on out! Lineups TBA.

with The Diesel Combustion Orchestra at Open Ears, Blue Nile, NOLA-2/10/2015

Playing Tuesday 10th of February at Open Ears with Dan Oestreicher's outfit.  Groove creative under the fiery drive of Dan- in town for a bit from endless touring with Trombone shorty.  Dan has put together a group some of the most interesting and distinguished musicians from across a couple of scenes.

The lineup is:

Dan Oestreicher- bass and bari saxophones (trombone shorty)
Roger Lewis-Baritone, soprano saxes
Steve Glenn-Tuba
Oops-Bass drum(soul rebels)
Doug Garrison-drums/percussion
Jonathan Freilich-guitar
 

The show is upstairs at the Blue Nile. For more info on the open ears music series...

I'm looking forward to this greatly! You'd be nuts to miss this, one week out from carnival and all that!

 

Naked on the Floor rides again

James Singleton-Bass
Dan Oestreicher-Bari sax
Rex Gregory-Tenor Sax
Rick Trolsen-Trombone
Paul Thibodeaux-Drums
Jonathan Freilich-Guitar

What an interesting and strong lineup for a concert at the Circle Bar (Lee Circle, New Orleans).

New arrangements and I guarantee as yet unknown and exciting exploration. Heights of sociable music.

Oestreicher, saxophonist with Trombone Shorty is also interviewed on this site- poke around and get a listen on the audio page. Look for Rex Gregory's while you're there.

See you tomorrow!

Part 2 of Interview with saxophonist, Dan Oestreicher

Here is Part 2 of a very coherent interview with one of the hardest working horn players currently in New Orleans (or mostly out of it right now since he has been with the meteorically rising, Trombone Shorty and Orleans Avenue.)

 

Dan Oestreicher first hit the radar for this writer when he presented himself at a Naked Orchestra show at the Mermaid lounge and made clear that he should be playing with the group.  He did that for the rest of that evening and for a long time afterward.  

He played with many of the most forward thinking New Orleans musicians and frequently he is there right when they are looking the most forward.  This includes the The Other Planets, The Magnetic Ear, 3 now 4, James Singleton, Irvin Mayfield's New Orleans Jazz Orchestra, Roger Lewis's Baritone quintet (where Dan is playing Bass sax instead of his more heard, Bari sax,) The Naked Orchestra, The Jonathan Freilich group, his own group- The Diesel Combustion Orchestra, and more.  He is seen playing some tuba and really tends to go very deep when he is exploring anything, but especially music.  He also knows a good deal about saxophone lore and trade as well as the other end of the spectrum, analog synthesis.

He is in Trombone Shorty's band, touring constantly, and because of this he is in a unique position to discuss the meaning of New Orleans music (if there is really such a thing at all) and improvisation as it stands in the world outside of New Orleans. His perspectives are well informed and if nothing at all show a blazing mind for inquiry and a fearless and healthy statement of opinion.  He could go anywhere from here.  If you were into horse racing you might see him listed in the racing form as one to watch.

 

The interviews are still available as a podcast on itunes or from the interviews page here...

Part 1 of new audio interview with saxophonist Dan Oestreicher

The interviews are back!

This interview was recorded during jazzfest (5/2/12) and Dan, riding high on the Trombone Shorty wave, ponders, philosophizes, and argues about music and what he is doing with it.  

This has much of interest about New Orleans music and the burdens and freedoms of its positive and negative associations.  There is also a good deal of general chatter about the art form in general and some intriguing particulars.

If you are interested in the music around New Orleans, you'll want to take a listen.

The interview is here...

Audio interview with Other Planets leader, Anthony Cuccia

Anthony Cuccia- Percussionist, keyboardist, composer, idea man for The Other Planets. Anthony uses music both for social consciousness and for exploration of its own various technologies.  He is always striving for a new way to assemble his ideas.

Both parts of the interview have been posted and are also available as a podcast from the itunes store.

The interview

 

Further recording at Dave Pirner's

Yesterday we made much further strides forward in recording the quintet at Dave Pirner's.  (See the earlier post below for further information about that.) A couple favorites: Joe cabral's piece, Cuando When? and this group playing "waiting for my gin to hit me".(Cabral singing)

  For more on the subject of Waiting For my Gin To Hit Me and an interesting blog that Doug Garrison hipped me to, click here...

Aurora Nealand in studio:

 

Dan Oestreicher

March Open Ears live performance posted

Check out the complete recent at the open ears music series performance of Jonathan Freilich & The Peaceful Revolution.

Jonathan Freilich- guitar

Aurora Nealand- Alto/ soprano sax

Dan Oestreicher- Baritone sax

Jeff Albert- Trombone

James Singleton- Bass

Doug garrison- Drums

 

Featuring all original compositions by Jonathan Freilich

WWOZ radio performance.

Yesterday, the quintet performed on WWOZ for their pledge drive. The group was:

Jonathan Freilich-guitar

Aurora Nealand-alto and soprano sax

Dan Oestreicher- sax

Joe Cabral- bass

Doug Garrison- drums

Energetically speaking, the performance went well; a crazy morning energy. Some precision elements flying out the window, sacrificing themselves for a rapid phoenix-like, burn up to get the energy to carry through the transmitters.

The state of recording

The quintet I'm writing for, Dan Oestreicher, Aurora Nealand, Joe Cabral, Doug Garrison, is doing some recording at Dave Pirner's new home studio. It's a bit of parallel guinea pigging; he's trying to get his new studio up and running while we are trying to troubleshoot arrangements with the slightly new sort of syntax I have been writing in.

The conversation turned to whether we are making a record and, it occurred to me that I don't even know what that means anymore. Dave concurred, "What does that mean anymore." We are, nonetheless, still in there recording amidst the building of a new studio. In this time we definitely are make recordings but not records in the old sense. The purpose is clearly different. We are probably moving towards purposelessness or a much more ephemeral, rapidly evaporating type of purpose. Ironically, both Dave and I were at the tail end of whatever that world was; of course, I believe his recording career was somewhat more successful, but in both cases, in those times, there were contracts for making a product, the record.

Now?...how do you even talk about it? We're sitting there talking about making a record (rabbit ears flying everywhere in the air), producer role (more rabbit ears) etc. Dave came to the good conclusion- that now things really are a labor of love; they have to be, or why would we do it?

I'm enjoying it. the guy is a pleasure to work with. I like the "idea" of Dave as a producer. His hearts in it and there's a lot to be excited about; his studio; talented engineer, George; this talented combo messing around with some unusual sounds in a new format with new ears. Creative possibility and outcome looming.

Looking forward to seeing what happens.